Charlie - I have used white tea towels, white plates, pads of white paper, white walls, and even once moved a white ambulance to act as reflectors! You have to be a bit careful though because you want to make sure that what you use is properly white. And yes, flat is better than shiny. You can buy all sorts of fold out reflectors but in the studio nothing beats large sheets of expanded polystyrene. I have two sizes - 4' x 8' and 4' x 3' or thereabouts.
With smaller objects like bowls I have had good results using on camera flash but point the flash at the reflector, not the subject. Blend the reflected light with available light, preferably opposite sides and make sure you don't kill the modelling effect of you main light source. Use the flash as fill. Or use the nice soft flash as key and indirect daylight as fill.
One of my favourite pieces of kit for when I can't take proper light is my little curly cord that I can use my flash with. It lets me take the flash off the camera and point it wherever. Not a cheap cord but invaluable. I can set up a shot of someone in their office or workshop, place a reflector to one side and bounce the flash off it. So much better than using on-camera flash. Works for bikes too!
Comment